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By Ghulam Shabir Arain
Pakistan’s cultural heritage is a wealthy inventory of ancient monuments, literary masterpieces, and traditional crafts. However, despite its rich cultural heritage, Pakistan's cultural sector has faced many challenges, especially during …
By Claire Rosslyn Wilson
How are the arts adapting to the #NewNormal"? One year into the global pandemic, this series presents experiences and stories of #resilience, #adaptation, and success from the arts sector to …
By Kathy Rowland
#ASEFCulture
ASEF culture360 and ArtsEquator are pleased to present the key findings of the Arts Media Ecosystem Research, a mapping of the state of the arts media in Cambodia, Malaysia and …
By Veeranganakumari Solanki
This article by Veerangana Solanki looks at various art funding models that emerged in three South Asian ASEM countries – Bangladesh, India, Pakistan – to support artists and art practices …
By Valentina Riccardi
culture360.ASEF.org is proud to announce the launch of the Green Guide for Spain, the 7th in the series Creative Responses to Sustainability.
“There is no story without a teller and a listener. The storytelling cycle expands and becomes “ripples of telling and listening, and telling and listening all over again”.
By Sali Sasaki (佐々木 沙梨)
Since George Town received the World Heritage title from UNESCO, jointly with Melaka as historic cities of the Straits of Malacca in 2008, it has experienced growing attention and underwent …
By Judith Staines
Europalia, based in Belgium, is a major international arts festival held every two years to celebrate one invited country’s cultural heritage. This year China has been chosen.
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