ASEF Culture360 | Connecting Asia and Europe through arts and culture


By Mayur Bandyopadhyay

02 Nov 2012

'Is 3D going to be the future of Cinema?'

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The recent 3D buzz has got everybody asking, 'Is 3D is going to be the future of Cinema?'

By Kerrine Goh

29 Oct 2012

Cinema Sans Frontières

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In Cinema Sans Frontiers, Professor Herman van Eyken and Dr Margaret McVeigh discuss a case study - 33 Postcards (2011) an Australia/China co-production - and outline Griffith Film School’s work …

By Veeranganakumari Solanki

25 Oct 2012

World Biennial Forum No. 1 | Interview with Marieke van Hal, Director Biennial Foundation

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Marieke van Hal (NL) is the Founding Director of the Biennal Foundation which is co-organising the world's first Biennal Forum this month in Gwangju, South Korea. The event is supported …

By Katerina Valdivia Bruch

24 Oct 2012

Video Art and Video Initiatives in Indonesia: Sharing Audiovisual Culture between Activism and Artistic Practice

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In Indonesia, video art was not the result of an artistic movement or a particular development in contemporary arts. In fact, the influence of video in contemporary art is not …

By Valentina Riccardi

11 Oct 2012

"10 Lessons in Film" | discussing the importance of Asia-Europe exchanges in Film

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On September 28-29 2012, The Asia-Europe Foundation (ASEF) organised at Lasalle College of the Arts in Singapore, the launch of the project “10 Lessons in Film”.

By loredana Paracciani

04 Oct 2012

Between Industry and Experimentation: Moving Images in Thailand

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The relation between the film as end product and the audience changes greatly, as the distinction between film industry and experimentation widens proportionally. No greater distinction can be noticed anywhere …

By Kerrine Goh

14 Sep 2012

Loneliness from West to East | 'Han', the Korean loneliness emotion and its meaning for the European audiences

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Even with the gloomy, sad, depressing, painful, or distressing atmosphere and the main characters that are almost constantly disappearing or dying, the Western spectator is thankful for Korean movies, in …

By Kerrine Goh

07 Sep 2012

Creative Encounters | The Ripple Effect | France, India, UK, Indonesia

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#ASEFCulture

The Ripple Effect is a multi-disciplinary creative workshop process with partners in France, UK, India and Indonesia.

By Kerrine Goh

04 Sep 2012

Cinema explores the life of Korean adoptees

Jung strolled lonely through the streets of Seoul. He was five, hungry and lost, as many other kids in the immediate afterword of the Korean War. A police agent found …

By Llobet & Pons

22 Aug 2012

Manifesta 9 | Reconversion

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Manifesta is the European biennial of contemporary art, with the special characteristic of being a nomadic show, organised every two years in a different European city. Taking place in 2012 …

By People / In Cities : Phnom Penh | interview with Maria Fernandez Sabau

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The first interview for By People / In Cities: Phnom Penh invites Maria Fernandez Sabau to share her views on Cambodian art and culture. She is a culture expert currently …

By Veeranganakumari Solanki

09 Aug 2012

Artistic Landmark In Contemporary Experience (ALICE) Award

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The culture360.org contributor Veerangana Solanki, interviews the Executive Director of the Global Board of Contemporary Art, Barbara Vanderlinden, to learn more about the Award.

By Florentina Bratfanof

06 Aug 2012

Promoting Young Chinese visual artists | Focus on Talents 2012

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Focus on Talents 2012 is a project jointly organized by Today Art Museum and Martell Art Fund, aiming to continuously promote the development of Chinese contemporary art and outstanding young …

By Valentina Riccardi

01 Aug 2012

Curating culture360.org #3 | Marie Le Sourd and Elena Di Federico, On the Move

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This month the On the Move team, Marie Le Sourd and Elena di Federico, presents a new exciting curatorial journey of culture360.org.

By Siddharth

30 Jul 2012

Interview with Meenakshi Shedde - Behind the Film Festival

The ease with which Meenakshi Shedde connects with you, it almost feels like a good film gripping your attention from the first scene itself. A look around her house in …