By people / In cities | Bangrak – Klongsan Creative District | Bangkok
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![ferry gallery](https://culture360.asef.org/wp-content/blogs.dir/1/files/2016/08/ferry-gallery.jpg)
This month ASEF culture360 contributor David Fernandez introduces Bangkok's newly dubbed ‘Creative District’, an urban riverside area comprising two distinctive neighbourhoods, Bangrak and Klongsan, previously associated with slow and traditional river life that are currently going through a promising creative revival.
Up until a few years ago, Bangkokians would have given the Bangrak-Klongsan section of the Chao Phraya River a wide berth, except for the fact that it had always been a major urban transportation artery for cross-river commuters with a vast network of river buses, ferries and water taxis.
Bordered by the river, nestled closed to Taksin Bridge on the South side of the Chao Phraya, this flourishing district is a rich and jumbled urbanscape where traditional architecture sit next to modern buildings, and various communities – Chinese, Christian, Muslim and Thai- cohabit with their rooted cultural background and their customs and contrasts, adding also intangible value to the distinct district atmosphere.
Much of the now deemed ‘Creative District’ life is centered around Charoenkrung and Charoen Nakhon Road, which are linked by busy Taskin Bridge. Especially around Charoenkrung Road, once an international trading hub with valuable history and the first paved road in the city, today it is easy to spot artisans workshops and old-styled jewelry and antique shops right next to design studios, art galleries, cool boutique hotels, hip bars and eateries.
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In my opinion, it’s mainly the cultural assets of the district what makes this part of town historically creative. Ever since its origin, Charoenkrung Road the old riverside road, has been a thriving melting pot of architecture, arts, crafts, culture, religion, commerce… It’s indeed an urban gem, an area firmly rooted in the past while looking to the future. (Charintip Leeyavanich, Policy and Development Manager, TCDC)
In recent years both shores have seen a constant addition in the number of artists, designers, makers and entrepreneurs moving in the area and plenty of creative spaces opening up especially along Charoenkrung, such as Bridge, Serindia Gallery, ATTA Gallery, P.Tendercool, Speedy Grandma, MoST, Soy Sauce Factory, just to name few exponents of the ‘new’ old town.
Walking upstream towards Talad Noi, skimming the edges of Bangrak, a groundbreaking cluster has organically emerged in Soi Nana. Once a quiet residential street, nowadays it hosts a variety of galleries, studios and artist-run spaces including Cho Why, NACC, Patani and Project 189.
Meanwhile in the other bank venues like the now defunct spearhead The Space and, most recently, The Jam Factory have paved the way for newcomers to join the current creative uprising around Klongsan.
Ultimately, connecting both banks is a pioneering video art project, The Ferry Gallery, a floating contemporary art space operating on the Chao Phraya River.
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A trend that’s is clearly gaining visibility with recent events taking place in the burgeoning area. For instance the international street art festival that took place earlier this year, Buk Ruk, or the ongoing bi-monthly The Creative District Gallery Hopping Night, a joint activity presenting the emerging network of venues and artists-run spaces that it’s been formed with the intention of bringing awareness to the local arts while inspiring new collaborations and cultural exchanges.
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Since I moved into the neighbourhood and opened my gallery back in 2010, I always thought about the idea of connecting with other art spaces and also with the local community. I started the Gallery Hopping a year ago in order to help promoting local art, especially around this neighbourhood, with an eye on locals who weren’t confident enough to join regular opening exhibition nights elsewhere in the city. It’s a challenge, since the district community is still a bit disconnected. (Atty Tantivit, Designer and gallery owner, ATTA)
Riding the wave of urban regeneration, public institutions and other private enterprises such as the Bangkok River Partners are rapidly realizing that the emergence of the so-called Creative District and the century-old community around the Bangrak-Klongsan area conforms a highly valuable opportunity, capable of generating social and economic shared value among the community and surrounding areas as well as extending the competitive capacity of the local creative industries.
Clear signals of the transformation and development of this section of the old town into a burgeoning creative arena are noticeable, especially after the announcement of the much-anticipated arrival of the Thailand Creative and Design Centre (TCDC), the flagship of the ‘Creative Thailand’ public campaign, expected to finally relocate early 2017 into the Grand Postal Building, the first postal office in Thailand, a splendid example of brutalist architecture located right in the middle of Charoenkrung Road. With its arrival TCDC is expected to rekindle the spark of creativity and design among the local community while attracting the local crowds.
![tcdc_new](https://culture360.asef.org/wp-content/blogs.dir/1/files/2016/08/tcdc_new-800x533.jpg)
In order to level the area before its resettlement into the old part of town, TCDC have recently launched a project called Co-Create Charoenkrung, in collaboration with the Office of Knowledge Management (OKMD) and Thai Health Promotion Foundation (ThaiHealth). Together, they are aiming to conceptualize a creative district prototype for Charoenkrung with contributions for every sector in the district through the process of discovering opportunities, raising issues and developing concepts by stimulating the exchange of ideas among the local urban community.
Furthermore, promoting this new creative approach alongside TCDC is the recently established Creative District Foundation, a joint committee formed by both private and public agents, including entrepreneurs, universities, government bodies, developers, business owners, local artists and artisans and other organisations in the area. Its main objective is to preserve the riverside heritage while attracting Bangkok’s creative entrepreneurs and aiming to eventually impact the wider business landscape.
Since its establishment, the foundation has focused identifying local infrastructures and valuing hidden assets in order to come up with a vast array of specific initiatives to turn the district into a reality in the next decade. This would mean improving the general quality of life, strengthening the social bonds and contributing to the tourist and entertainment sectors mainly by fostering historical preservation, environment and sustainable development, urban design and public art.
All these promising efforts illustrate a neighbourhood that is surely going through a creative revival. At the same time, it is undergoing a profound urban renewal trustingly by putting creative culture, heritage preservation, public art & green design into city-making.
![fikos](https://culture360.asef.org/wp-content/blogs.dir/1/files/2016/08/fikos-800x526.jpg)
The Creative District is not about promoting creativity as such but actually to make it work for the neighbourhood and also for the society. It is not just an idea but a conversation. The results may seem uncertain for now, but the initial objective of this foundation is to enroll the society into the discussion in order to keep encouraging new creative developments at the same time we aim to improve the condition of living in the city. We want people to understand this is a new possibility not just for this district but for the entire city. Never before here in Bangkok, we have started creating a city out of a simple conversation. (Duangrit Bunnag, Architect and gallery owner, The Jam Factory)
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Started in 2012, By people / In cities is a series of articles and interviews that aims to enhance the understanding of art and culture in Southeast and East Asia through individual stories and perspectives including artists, cultural practitioners, and policy makers.
Links:
Thailand Creative and Design Centre (TCDC) - www.tcdc.or.th
Creative Thailand - http://www.tcdc.or.th/creativethailand/
Office of Knowledge Management (OKMD) - www.okmd.or.th
Thai Health Promotion Foundation (ThaiHealth) - http://en.thaihealth.or.th/
Bangkok River Partnership - www.bangkokriver.com
Creative District Gallery Hopping Night - https://www.facebook.com/galleryhoppingbkk/
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David FERNÁNDEZ is a Spanish-born contributing writer based in Bangkok, Thailand. Currently working as freelance arts & cultural project manager and digital media consultant, he is also one of the co-founders of Cho Why multi-disciplinary project space. He previously co-founded Le Cool Bangkok arts & culture webzine and worked as content director. Formerly, he served as cultural attaché at the Embassy of Spain – Cultural Office in Bangkok.
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